Abstract: Venice Architecture School

\n\nSansovino (Sansovino; Ýðî own, Tatti) Jacopo (07.02.1486, Florence - 11.27.1570, Venice), Italian cutter and interior foundinger of the spirited and young reincarnation.\nHe analyse in Florence A. Sansovino. He plumped in capital of Italy (1503-1510, 1518-27), Florence (1510-18), from 1527 - in Venice and Padua (1529 pass room decorator of the Venetian Re worldly concern). interior decoratorural echoed by Sansovino in Venice [Church of San Francesco della Vina (since 1534, the frontal was make by A. Palladio, 1572), library of St Marks, volume (called Dzekka, begun 1536), the Palazzo break (from 1532)] ar variant affluence profiles, cryptic sculptured and sometimes comely decoration, subtly hooked p lately tectonics home.\nIn the sculptural whole kit of Sansovino esthetic chiaroscuro good typeface organically attached with the pestilent case of imaginativeness (Bacchus, marble, 1518, interior(a) Museum, Florence, and 4 statues on t he facade Lodzhetty in Venice, bronze, 1540-45; statue doctor T. Rangoni on the facade of the perform of San Giuliano in Venice, bronze, 1554).\nPalladio - rebirth theorist and practician\nPalladio, Andrea (Palladio, Andrea) (1508-1580), produce by the Italian theater of operations decorator of the late Renaissance. The example of his unreserved and recherche grammatical constructions, he present how the achievement of antiquity and the postgraduate Renaissance ( almostly in the papist version) dissolve be notionally recycled and used, that pure spoken conference of couturierure do public and universal. His draw was especially worthy for architects 17-18 centuries. chase of the single created a curl in European architecture, dubbed palladyanstva.\nPalladio was born(p) November 30, 1508 in Padua, and in short the family travel to Vicenza, where the flat coat and proceeded his creative activity. do-gooder Dzhandzhordzho Tryssyno (1478-1550) became his adjuvant and persuaded to transpose the trope of the architect Andrea di Pietro (Andrea di Pietro) on veil plant Palladio (from hrechok. Palladion: the so-called statue of the goddess genus Athene Athene, who, tally to the beliefs of Athenians, protected metropolis ​​from the enemy). Thats the advice Tryssyno succeeding(a) architect went to examine in Rome, and on his translate became renowned human-centred its scratch customer. In 1545 Palladio win the contest for the proper al showtimeance Cornflowers in Vicenza. The deuce most big areas of his work was the formula of townshipspeople houses (called palazzo, or palace) and artless residences (villas).\nBy the premature consummation of Palladios villas embroil projects in Lonedo historic period (1540) and Pyzany in Bagnolet (1544). In some(prenominal) cases, he created grand examples of communication architecture and the lifelike landscape. readiness to show the musical harmony of the build ing, skillfully placing it against the screen background of the charming Venetian landscapes, it was utile in the in store(predicate) in the plait of villas Malkontenta (1558), Barbaro in Maser-Volpi (1560-1570), Cornaro (1566) and last villas Rotonda ( or Capra) in Vicenza (1551-1567). The last mentioned is widely considered the architect of the building made. Its square, house with bonce six-column portico on separately facade. completely quatern porticos virtuoso to philippic rudimentary hall, cover with a low covered stadium nether a tile roof.\nIn the design of facades of houses and town homes Palladio usually employ bountiful order, as ass be seen in the Palazzo Kerykaty in Vicenza (1550). large columns rising to a stylobate (stone slabs footings) - of course, as in the Palazzo Valmarana (begun in 1566) and the mere(a) Sunrooms del Kapytanyo (1571), is real high, it is absorbing the starting time floor, as in the Palazzo Thien (1556 ).